Jacopo Tintoretto

1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.


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Jacopo Tintoretto St Jerome oil


St Jerome
Painting ID::  82882
St Jerome
Date ca. 1550(1550) Medium Oil on canvas Dimensions 75 x 51 cm (29.5 x 20.1 in) cjr
   
   
     

Jacopo Tintoretto Doge of Venice Gerolamo Priuli oil


Doge of Venice Gerolamo Priuli
Painting ID::  85700
Doge of Venice Gerolamo Priuli
Oil on canvas cjr
Oil_on_canvas _cjr
   
   
     

Jacopo Tintoretto Taufe Christi oil


Taufe Christi
Painting ID::  86480
Taufe Christi
2nd half of 16th century Medium Oil on canvas Dimensions Deutsch: 137 x 105 cm cjr
   
   
     

Jacopo Tintoretto Joseph und die Frau des Potiphar oil


Joseph und die Frau des Potiphar
Painting ID::  86630
Joseph und die Frau des Potiphar
c. 1544 Medium Oil on canvas Dimensions Deutsch: 54 x 117 cm cjr
   
   
     

Jacopo Tintoretto Moses schlagt Wasser aus dem Felsen oil


Moses schlagt Wasser aus dem Felsen
Painting ID::  87552
Moses schlagt Wasser aus dem Felsen
Date 1577(1577) Medium Oil on canvas Dimensions Deutsch: 554 x 526 cm cjr
   
   
     

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     Jacopo Tintoretto
     1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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